White-label video production
your brand on every cut.

For bench partners, fast: the NDA is signed and the rate card is on file before there's a project, so when your client says yes, a proposal lands within 48 hours and the first branded deliverable inside 14 days. The first cycle typically prioritises the brief, the script and the shot plan: the foundation everything after it depends on.

Two layers, one of which happens once. Partner onboarding: intro call, your NDA signed, rate card and capability pack on file, a named contact assigned. Per-client onboarding when a brief lands: you introduce the account in your own words, we scope the deliverables and confirm what capture is available, then agree the shot list and edit plan before anything is built, presented in your templates for your client's approval.

Scripts and shot plans are approved before filming or building starts, so revisions land early where they're cheap rather than late where they're expensive. Each cut goes through your review in your templates before your client sees it. You set the number of revision rounds per deliverable, and we flag anything a requested change would meaningfully cost before we make it.

Short-form and social cuts, product demos, explainer and onboarding video, and the editing and white-label motion graphics underneath: the formats most client briefs actually ask for. This isn't a broadcast or film production capability, and we won't sell it as one: where a brief needs a studio shoot or a full production crew, we'll say so rather than stretch the scope to fit.

Your client's, always. Every raw asset, project file and final export belongs to the client from day one, with your agency as the administrator. If either of us ever exits the picture, nothing is held hostage: the files hand over cleanly and a proper inventory documents what's there. Leaving being easy is what makes staying meaningful.

Yes, and it often produces the best result. Some partners keep the concept and the script in-house and buy the production: their brief, our capture coordination, editing and motion graphics. Others hand us the whole discipline. The split is agreed per client in the scope, and our deliverables are structured so your team can request changes without asking us how.

That's your call, not ours. Some partners describe us as their production team; others say nothing about who's behind a cut. Either works, because our name appears on no credit, no project file and no report your client ever sees. What's contractual from our side is fixed: we never contact your client, never accept work from them directly, and the disclosure duty runs the other way: if your client ever approaches us, we tell you and decline.

Get the answers in writing before the first brief. Ask for the named team and who covers leave. Ask for non-solicitation and a blackout period, not just a promise of discretion. Confirm who owns raw footage and project files, and how capture will happen. With us, that means a named pod, an NDA, a zero-competition clause with a post-engagement blackout, and files that belong to your client from day one.

The wholesale video rate card is agreed once, in writing, and every engagement is quoted against it. Quoting a scripting job or a full production never means renegotiating per brief. You set the retail price and keep the margin; we never see your client invoices, and nothing in a cut or report reveals what you pay us. Proposals are itemised by deliverable (scripting, capture coordination, edits, platform cuts), so an extra revision round shows up as its own line rather than getting absorbed into the edit fee, and there are no equipment or platform markups hiding in the middle. See the partner rates on agencies.pixelcrayons.com.